MASP presents a major exhibition dedicated to British visionary artist Madge Gill from 5 March to 1 August 2027 in São Paulo.

Gill, born in 1882 and active largely outside the professional art establishment, created extraordinary drawings, textiles, and writings shaped by spiritual experiences.

Around 1920, following a period of personal trauma and visionary experience, she began producing work that she partly attributed to a guiding entity she called Myrninerest.

Her densely worked drawings often contain repeated female faces surrounded by labyrinthine architecture, patterned lines, and seemingly endless networks of marks.

Gill also created embroidered textiles and large works on fabric, expanding her practice beyond paper.

The MASP exhibition forms part of the museum’s 2027 programme devoted to Histories of Madness and Delirium.

After São Paulo, the exhibition is scheduled to travel to The Whitworth in Manchester in October 2027.

For ArtExpoWorld readers, the exhibition offers an important opportunity to reconsider an artist frequently placed within the category of outsider art and examine her work through modernism, spirituality, gender, psychology, and material practice.

The Madge Gill exhibition runs for almost five months at MASP.

It is being developed in partnership with The Whitworth at the University of Manchester.

Preparatory research for the exhibition has examined Gill’s drawings, embroidered textiles, personal history, and relationship with mediumistic practice.

Her artistic output was unusually prolific.

Gill repeatedly worked with ink, drawing vast networks of lines and recurring female faces.

She also embroidered textiles with dense layers of stitching.

Some works were developed across large pieces of fabric rather than conventional sheets of paper.

The exhibition seeks to move beyond a simple biographical narrative.

Gill’s difficult life and spiritual beliefs have often dominated discussions of her work.

The project instead examines the formal power of her images alongside questions of authorship, psychology, mediumship, gender, and twentieth-century modernism.

The final object list and exhibition design will be announced closer to March 2027.

Madge Gill 2027 Event Overview

Madge Gill 2027 – Visionary Art, Mediumship and Embroidery at MASP

Madge Gill attributed much of her artistic production to a guiding entity she called Myrninerest. Her practice included not only drawings but also highly worked embroidered textiles containing enormous numbers of individual stitches.

Dates:

5 March 2027 - 1 August 2027

Location:

MASP – Museu de Arte de São Paulo Assis Chateaubriand, São Paulo, Brazil

Mission:

The mission of the Madge Gill exhibition is to reconsider the artist beyond the restrictive labels historically applied to her. Gill is frequently described as an outsider or mediumistic artist. Those terms can be useful, but they can also isolate her from wider histories of modern art. MASP and The Whitworth approach her work through several overlapping perspectives. Her practice can be understood through spirituality. It can also be examined through drawing, textile history, automatism, gender, and the psychology of artistic production. The exhibition asks where authorship exists when an artist believes creative work is guided by an external spiritual force. It also considers why women working outside established institutions have often been described differently from male artists associated with modernist experimentation. The wider aim is not to solve the mystery of Gill’s practice. It is to give the work enough space to exist beyond the story surrounding the artist.

Organizer:

The Madge Gill exhibition is organised by MASP in partnership with The Whitworth at the University of Manchester. The project has been developed through research involving MASP curator Amanda Carneiro and The Whitworth curator Valentin Diakonov, with research support from David Queiroz. The exhibition forms part of MASP’s 2027 programme dedicated to Histories of Madness and Delirium. Following the São Paulo presentation, the exhibition will travel to The Whitworth in Manchester in October 2027. The institutional partnership allows Gill’s work to be examined through collections, research and expertise from both Brazil and the United Kingdom.

Why attend to Madge Gill 2027?

The exhibition is worth visiting because Gill’s works are far more physically powerful than they appear in reproduction.

For drawing enthusiasts, her control of line and repetition is extraordinary.

For textile audiences, her embroidered works reveal another dimension of an artistic practice usually associated primarily with ink drawings.

For researchers, the exhibition opens discussions around spirituality, psychology, gender, and authorship.

For visitors interested in outsider art, it provides an opportunity to question whether the category itself remains useful.

For contemporary artists, Gill demonstrates how a highly personal visual language can develop without formal academic training.

The exhibition also gains significance from MASP’s 2027 programme on madness and delirium, which places Gill within a wider institutional investigation rather than presenting her in isolation.

Ticket Information

General admission costs

MASP admission applies to the exhibition.

Current museum admission is R$85 for adults.

Reduced admission is available for eligible students and visitors aged 60 and over.

Entry is free for qualifying children and visitors with disabilities under current museum policy.

MASP also operates selected free-admission periods during the week.

Ticket prices and free-entry conditions may change before March 2027, so visitors should confirm the current policy before travelling.

The museum is closed on Mondays.

Getting There:

MASP is located at Avenida Paulista 1578 in São Paulo.

The nearest metro station is Trianon-MASP on Line 2, the Green Line.

The station provides direct access to Avenida Paulista within a short walk of the museum.

Numerous bus services also operate along and around Paulista.

Taxi and rideshare services are widely available.

São Paulo–Guarulhos International Airport is the main international gateway.

Congonhas Airport handles many domestic flights and is closer to central São Paulo.

Traffic can be extremely heavy, so public transport is often the most reliable option.

Accommodation

Jardins is one of the best areas for visitors focused on MASP and São Paulo’s art scene.

It offers hotels, restaurants, and galleries within walking distance of Avenida Paulista.

Bela Vista provides convenient access to the museum and central districts.

Pinheiros is a strong option for visitors interested in contemporary galleries, restaurants, and nightlife.

Higienópolis offers a quieter residential environment with cultural attractions nearby.

Itaim Bibi provides upscale accommodation and dining but requires additional travel to MASP.

For an art-focused trip, staying near a metro station can save significant time.

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Gallery: Madge Gill 2027

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History & Context of a Madge Gill 2027

Madge Gill was born in London in 1882.

She spent much of her life in East London and worked outside academic and professional art institutions.

Around 1920, she began an intense period of artistic production following experiences she interpreted spiritually.

Gill described herself as guided by an entity called Myrninerest.

Automatic and mediumistic practices were not unique to Gill.

The late nineteenth and early twentieth centuries saw widespread interest in spiritualism, psychology, altered states, and invisible forces.

Artists and writers across Europe explored automatism and forms of creativity they believed could operate beyond conscious control.

Gill’s gender and social position shaped how her work was received.

She produced an enormous body of work but remained outside the institutional structures that traditionally determined which artists entered art history.

Interest in her practice has grown significantly in recent decades.

Contemporary scholarship increasingly examines her work through feminist art history, textiles, spirituality, and modernism rather than treating it merely as a psychological curiosity.

Tips for Visitors of Madge Gill 2027

Allow at least 90 minutes for the exhibition.

Look closely at the repeated faces appearing within Gill’s drawings.

Notice how they emerge from and disappear into surrounding patterns.

Do not reduce every work to Gill’s biography.

Her life matters, but the formal structure of the work deserves independent attention.

Spend time with the textiles.

Repetitive stitching creates a different physical experience from ink drawing.

Check the MASP public programme for curator talks and seminars connected with Histories of Madness and Delirium.

Visit the museum’s collection displays on the same day if time allows.

The contrast between Gill and MASP’s wider modern collection can be revealing.

Tips from the ArtExpoWorld

Do not spend the entire exhibition trying to decide whether Madge Gill was guided by a spirit.

That question can become a distraction.

Look first at what she actually made.

Thousands of lines, repeated faces and obsessive structures reveal an artistic intelligence that remains compelling regardless of how we explain its origin.

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Editor’s Note

Madge Gill 2027 matters because art history has often struggled with creators who do not fit its professional categories.

For ArtExpoWorld, the important question is not whether Gill belongs inside or outside modernism.

It is why the boundary existed in the first place.

Her work is obsessive, technically distinctive, and immediately recognizable.

MASP’s exhibition offers an opportunity to separate the artist from the mythology surrounding her without destroying the mystery that made her practice possible.

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