During restoration work at the 14th-century St. Bavo’s Cathedral in Ghent, a sealed wall cavity revealed something astonishing — a previously unknown painting believed to be by Jan van Eyck.
The small wooden panel, titled “The Angel of Light”, bears the unmistakable luminosity and layered glaze technique of the Flemish master ✨.
Preliminary pigment analysis by the Royal Institute for Cultural Heritage (KIK-IRPA) confirmed that the materials date precisely to 1430–1440, matching Van Eyck’s active period.