The official fair guide listed 114 galleries from 17 countries, giving visitors a broad route through painting, prints, sculpture, photography and mixed media. The appeal lay in the contrasts: established gallery programmes sat alongside discoveries that could feel like the beginning of a longer collecting relationship.
What distinguished the autumn edition
Campaign artist Beth Shapeero developed an entrance installation that extended the colour and rhythm of her practice into the fair environment. It offered an immediate introduction to the idea that contemporary art can be encountered through atmosphere and physical space as well as individual objects.
The Recent Graduates exhibition, curated by Jo McLaughlin, brought together work by 34 emerging artists. For a visitor, this was a useful place to compare materials and ideas before moving into the commercial stands. Black History Month displays and the Finds Under £500 selection added further ways to navigate the fair without treating every aisle as the same experience.
Audio guides provided another entry point for visitors who wanted more context. Rather than rushing to cover every stand, it made sense to choose a handful of artists, listen to their stories and return to the works with fresh questions.